‘Black women have been, and continue to be, integral in imagining a world where liberation isn’t the goal; it’s the default’.
Writer, activist and educator Altheia Jones-Lacointe is one of the great British Black activists and civil rights worker, and yet this name is hardly known amongst the Black community.
As Danialle Dash states in her article in the Stylist magazine:
“we should all know Dr Altheia Jones-LeCointe. In a perfect world, the British Black Panther(BBP) leader and community organiser would come to mind as easily as Angela Davis and other famous resistance leaders”.
Born Altheia Jones in Trinidad, she was one of the three daughters of Viola Jones, a Port of Spain dressmaker and clothes shop proprietor, and Dunstan Jones, the principal of a government school.
While studying in London, Jones-LeCointe became involved in community organising against racism and for the rights of people of African and Asian heritage in the UK. In London, she became concerned with the mistreatment of black and Asian people by the authorities and worked as a teacher and organiser in the Universal Coloured Peoples’ Association (UCPA).
Danielle Dash’s great piece goes on to explore her ‘White Washing’ from British history:
“Britain’s contribution to global structural racism and the suppression of Black liberation efforts leads to the erasure of important historical figures like Jones-LeCointe. The combination of her race and her gender make it easier for history to forget the important work Jones-LeCointe did to advance anti-racism legislation – not only for black people, but specifically for Black women”.
Having risen to leadership of the BPP after its founder Obi Egbuna the playwright/poet was jailed, Altheia Jones-LeCointe organised marches to show the world how UK police were brutalising British Blacks, especially at the Black-owned Mangrove restaurant.
She became the brains behind – the BPP movement. She re-energised the group, and her position created much-needed visibility for Black women.
Her name rightly rose to prominence again with the release of Steve McQeen’s Small Axe series of films, featuring the Mangrove Nine. Of the nine, only Jones-LeCointe and the late Darcus Howe (blog soon) made the decision to represent themselves in court. She wasn’t a lawyer, but she bravely faced the British legal system. Undoubtedly her defiance was just too powerful – she was charged with ‘conspiracy to incite a riot’.
They demanded to be judged by a ‘jury of peers’ — all Black jurors. Only two Black jurors were selected. They called more than 100 witnesses who spoke candidly about being terrorised by the police, cross-examined police officers, and asked their witnesses about their definition of ‘Black power’.
The judge’s closing statement put the nail in the police department’s case, saying, in part:
“What this trial has shown is that there is clearly evidence of racial hatred on both sides.”
Though, of course, the British Black Panthers in actuality could not be deemed racist, the statement was the first acknowledgement that Britain’s police officers targeted Black citizens.
The Action Committee for the Defence of the Mangrove read:
“This protest is necessary as all other methods have failed to bring about any change in the manner the police have chosen to deal with Black people.”
Dash points out:
That in 1970, Jones-LeCointe organised a demonstration to protest police mistreatment of The Mangrove. The demonstration was vastly over-policed, with 200 officers deployed for 150 demonstrators, and violence erupted. Jones-LeCointe was arrested along with eight others, who collectively became known as the Mangrove Nine.
Their aim was to tackle head-on the prejudice that had seen the national press depict their civil rights movement as nothing more than a violent gang of troublemakers. After what was at the time the longest trial in British history, the Mangrove Nine walked free, with the presiding magistrate Judge Clarke acknowledging ‘police wrongdoing and racial prejudice’.
The BPP movement worried authorities on both sides of the Atlantic, Jones-LeCointe was now a permanent target of the police, and government, her historical importance needed to be erased, not just by White but also some Black historians.
Despite Jones-LeCointe’s revolutionary work, her story was ignored when the time came to tell the story of British Black people’s contribution to the Black liberation movement. The disgraceful TV series Guerrille supposedly about Mangrove basically told women who look like Jones-LeCointe that it doesn’t matter what our achievements are: we are not worthy of starring in our own stories if we don’t have a proximity to Whiteness.
“Society regularly forgets black women exist – going so far as erasing us and our contributions from history. That’s exactly what happened with Jones-LeCointe’s representation on screen”.
A final point Danielle Dash makes in her article I believe speaks for all Black women:
“I admire and am thankful to Dr Altheia Jones-LeCointe because she did the work of dismantling the racist patriarchy at a time when doing so jeopardised her freedom. She paved the way for black women like me, who look the way we do and have the voices we have. She showed us it was possible to stand up to oppression – and succeed”.
Despite the record of LeCointe and others, all Black women activists, faced an uphill battle to not only be taken seriously as activists but to be given their due credit.
All of these women understood that a fight for liberation remains bigger than the individual; the fight for freedom is a collective effort. As we stated at the beginning, Black women have been, and continue to be, integral in imagining a world where liberation isn’t the goal; it’s the default.
Actress Letitia Wright talks about her Small Axe role: 4.02m
200 years since his death, should the French be commemorating a man who was a warmonger and re-introduced slavery to French areas? Should they commemorate a man who brutally tried to re-establish slavery in Haiti in his attempts to put down a slave revolt?
This argument has opened up a deep debate and historical divisions in France. As you can guess the left see him as a dictator and despot and the right admire his French Empire ambitions, giving the country national pride and greatness.
There is a vast amount of information on the web about Napoléon and his countless wars ranging over 50 years so I have no intention of covering that in this blog. We are here to talk yet again about someone who committed atrocities against Black people and who he saw as less than human.
So just a brief over view of the man who created the model for modern military despotism. Napoléon was originally a republican and professed to stand for the people, and yet he murdered his enemies, made himself Emperor and created heirs, a bit like our royal family. At the end of all the warring it was stated in the palace of Fontainebleau, 11th April 1814:
“The Allied Powers having declared that Emperor Napoléon was the sole obstacle to the restoration of peace in Europe, Emperor Napoléon, faithful to his oath, declares that he renounces, for himself and his heirs, the thrones of France and Italy, and that there is no personal sacrifice, even that of his life, which he is not ready to make in the interests of France”.
As they say power corrupts and absolute power corrupts absolutely.
We are however here to talk about Black History and his brutal repression of Black slaves. The celebrations in France are driven by President Emmanuel Macron and the right (I think Macron sees himself by association as a great leader). Even the Guardian Newspaper (also 200 years old) leads with the headline ‘Cruel despot or wise reformer?’ At least they put a question mark.
The Slaves Who Defeated Napoléon: The Haitian Revolution (1791–1804)
When information of the French Revolution (which coincidently also began on 5th May in 1789), filtered through to Haiti, it was the beginning of many uprisings against the French. On the night of August 21st 1791, slave representatives from all over Haiti’s northern plain, the rich area surrounding Cap Français, gathered in Bois Caiman (Gator Wood) near Morne Rouge. It was said that the air was dark, hot, and Fiery; a tropical storm rumbled on the horizon. One slave after another emerged from the shadows, scared and thrilled.
They were not allowed to sneak out of their quarters at night, and they knew that slave gatherings were strictly prohibited. With the onset of the French Revolution, rumors swirled among the planters that the Paris-based Société des Amis des Noirs had sent secret agents to Saint-Domingue to incite the slaves to revolt. Anyone accused of furmenting an uprising would likely meet an untimely, and gruesome, end.
The French Revolution climaxed in 1799 and new hopes of freedom started, and so also began Napoléon’s reign.
For a few months, the island was quiet under Napoleonic rule. While Napoléon Bonaparte condemned the slave trade, he had no strong opposition to slavery, he did not see Black people as having the same human rights as White Europeans.
Like most of his European contemporaries, Napoléon was a racist. He referred to Bedouins, native Americans, Pacific Islanders and Africans as “savages” – a term he also applied to Cossacks.
He treated the Saint-Domingue-born mixed-race general Thomas-Alexandre Dumas (father and grandfather of the writers of the same name) with contempt. At the same time, he welcomed mixed-race men into his army in Egypt, and for the expedition to Saint-Domingue (Haiti).
Napoléon based his policies towards slavery on pragmatism and genetic superiority. He favoured whatever would most benefit him and France.
When it became apparent that the French intended to re-establish slavery (because they had nearly done so on Gaudeloupe), black cultivators revolted in the summer of 1802.
When insurrection broke out in Saint-Domingue, Napoléon argued that France should renew its commitment to emancipation, because:
“this island would go for England if the blacks were not attached to us by their interest in liberty…. They will produce less sugar, maybe, than they did as slaves; but they will produce it for us, and will serve us, if we need them, as soldiers. We will have one less sugar mill; but we will have one more citadel filled with friendly soldiers”.
Yellow fever had decimated the French; by the middle of July 1802, the French lost about 10,000 dead to yellow fever. By September, Leclerc wrote in his diary that he had only 8,000 fit men left as yellow fever had killed the others. In 1802, Napoléon added a Polish legion of around 5,200 to the forces sent to Saint-Domingue to fight off the slave rebellion.
However, the Poles were told that there was a revolt of prisoners in Saint-Domingue. Upon arrival and the first fights, the Polish platoon soon discovered that what was actually taking place in the colony was a rebellion of slaves fighting off their French masters for their freedom.
During this time, there was a familiar situation going on back in their homeland as these Polish soldiers were fighting for their liberty from the occupying forces of Russia, Prussia and Austria that began in 1772.
Many Poles believed that if they fought for France, Bonaparte would reward them by restoring Polish independence, which had been ended with the Third Partition of Poland in 1795.
As hopeful as the Haitians, many Poles were seeking union amongst themselves to win back their freedom and independence by organising an uprising.
However many Polish admired their great hero Tadeusz Kosciuszko, who had fought in the American civil war and was a strong Abolitionist. As a result, these Polish soldiers who also admired their opponents, eventually turned on the French army and join the Haitian slaves.
Polish soldiers participated in the Haitian revolution of 1804, contributing to the establishment of the world’s first free Black republic and the first independent Caribbean state.
Haiti’s first head of state Jean-Jacques Dessalines called Polish people “the White Negroes of Europe”, which was then regarded a great honour, as it meant brotherhood between Poles and Haitians. Dessalines eventually became a cruel despot himself and was killed by his own people in 1806.
Many years later François Duvalier, the president of Haiti who was known for his Black Nationalist and Pan-African views, used the same concept of ‘European White Negroes‘ while referring to Polish people and glorifying their patriotism.
After Haiti gained its independence, the Poles acquired Haitian citizenship for their loyalty and support in overthrowing the French colonialists, and were called ‘Black’ by the Haitian constitution.
In historical terms this was the ‘only successful slave revolt in the world’.
Lee Mixashawn Rozie is a Jazz Musician, Educator and ‘The Wave Artist’. He has a fabulous take on the world in terms of waves from light speeds, to sound, to the slow waves of the mountains, to the sea that connects the world and brought colonialism. His take as an indigenous American, to Cornish, to African roots and looking at identity.
In his own words:
“Lee Mixashawn Rozie has been a practicing multi-disciplinary and internationally acclaimed Jazz artist for the past three decades. Mr. Rozie holds a degree in History and Ethnomusicology from Trinity College and is equally at home in academic and cultural settings. Beginning from the point of Indigenous artist, using ancient cultural principles, maritime arts and historical data, both written and oral, he has developed a system of “Hemispheric Principles” to inform and guide his artform, more directly referred to as “Wave Art”: sonic, aquatic percussive and harmonic. Mixashawn offers musical performance and educational workshops on Indigenous music traditional and contemporary, as well as original, workshops that utilize his extensive experience as performer, Indigenous artist and educator to inspire creativity and natural expression for all ages.”
He’s a descendant of the ‘exquisite violinist’ and composer, Joseph Antonio Emidy who was abandoned in Falmouth, Cornwall, England in 1799. He had been pressganged by Admiral Sir Edward Pellew from Lisbon, when Pellew heard him play as the virtuoso violinist in the Lisbon Opera. Pellew was the grandson of Humphrey Pellew, who built half of Flushing on his wealth gained from enslaved Africans who worked his tobacco plantation in Maryland. Born in Guinea in 1775, Emidy had been enslaved by Portuguese slave traders and recognised for his musical talent he was given a violin and taught to play it. Emidy went on to set up and lead the Truro Philharmonic Orchestra.
Thanks to Marjorie A Emidy who traced her ancestors and her distant cousins. She cam to Falmouth in 1999, to bicentenary of Joseph Emidy’s arrival in Falmouth. A plaque for Joseph Emidy was placed in the local King Charles Church of England church and the Tunde Jegede Ensemble put on a performance.
This is a wonderful interview with Lee Mixashawn Rozie:
And here with some of his more traditional jazz music:
And here spanning 2 decades as a musician and educator:
Mixashawn has some lovely posts in his Facebook, you might want to listen to Didgeridoo Meets Orchestra or Mixashawn Trio in Concert late last year
Ernest Just was a pioneering African American scientist. He was an outstanding research biologist and was known as the “scientist’s scientist”. He studied egg fertilisation and the structure of cells, mainly how a fetus develops and how an animal cell functions. His first two years at college were lonely and discouraging but he saw them through. This Black boy from South Carolina made himself one of the greatest scientists in the early part of 20th century.
He was not interested in awards and praise. He just wanted to get on with his work. In 1914 he even tried to refuse a medal, but anyway he was given the National Association of the Advancement of Colored People (NAACP) Springarn Medal. The first to receive the medal.
Although he tried to stay away from the limelight, the news of his work spread all over the world.
In all, he wrote two major books and over sixty scientific papers. His book, the Biology of the Cell Surface, which was used in many U.S. colleges and universities, represented his lifetime of research, and was published in 1939, just two years before he died. The other book Basic methods for experiments on eggs of marine animals, was the scientists handbook for experimentation.
In his early years, Just’s father died. He was brought by his mother Mary Matthews Just.
She worked in the phosphate mines [on James Island near Charleston] and according to Hutcheson, “negotiated a solid investment in one of the sought-after plots in the village in 1888.” In Kenneth R. Manning’s biography of Ernest Just, Black Apollo of Science: The Life of Ernest Everett Just, Manning uses Just’s letters as supporting evidence that the [all Black] town was named for Ernest’s mother, Mary. He writes: “she became a strong community leader, canvassing the inhabitants, mostly men, and persuading them to transform the settlement into a town. They called the town, Maryville, after its prime mover.”
When he graduated from Dartmouth, Just faced the same problems all black college graduates of his time did: no matter how brilliant they were or how high their grades were, it was almost impossible for black people to become faculty members at white colleges or universities. Just took what seemed to be the best choice available to him and accepted a teaching position at historically black Howard University in Washington, D.C. In 1907, Just first began teaching rhetoric and English, fields somewhat removed from his specialty. By 1909, however, he was teaching not only English but also Biology.
In 1910, he was put in charge of a newly formed biology department by Howard’s president, Wilbur P. Thirkield and, in 1912, he became head of the new Department of Zoology, a position he held until his death in 1941. Not long after beginning his appointment at Howard, Just was introduced to Frank R. Lillie, the head of the Department of Zoology at the University of Chicago. Lillie, who was also director of the Marine Biological Laboratory (MBL) at Woods Hole, Massachusetts, invited Just to spend the summer of 1909 as his research assistant at the MBL. During this time and later, Just’s experiments focused mainly on the eggs of marine invertebrates. He investigated the fertilization reaction and the breeding habits of species such as Platynereis megalops,Nereis limbata, and Arbacia punctulata. For the next 20 or so years, Just spent every summer but one at the MBL.
While at the MBL, Just learned to handle marine invertebrate eggs and embryos with skill and understanding, and soon his expertise was in great demand by both junior and senior researchers alike. In 1915, Just took a leave of absence from Howard to enroll in an advanced academic program at the University of Chicago. That same year, Just, who was gaining a national reputation as an outstanding young scientist, was the first recipient of the NAACP’s Spingarn Medal, which he received on February 12, 1915. The medal recognized his scientific achievements and his “foremost service to his race.”
He began his graduate training with coursework at the MBL: in 1909 and 1910 he took courses in invertebrate zoology and embryology, respectively, there. His coursework continued in-residence at the University of Chicago. His duties at Howard delayed the completion of his coursework and his receipt of the Ph.D. degree. However, in June 1916, Just received his degree in zoology, with a thesis on the mechanics of fertilization. Just thereby became one of only a handful of blacks who had gained the doctoral degree from a major university. By the time he received his doctorate from Chicago, he had already published several research articles, both as a single author and a co-author with Lillie.
During his tenure at Woods Hole, Just rose from student apprentice to internationally respected scientist. A careful and meticulous experimentalist, he was regarded as “a genius in the design of experiments.” He had explored other areas including: experimental parthenogenesis, cell division, hydration, dehydration in cells, UV carcinogenic radiation on cells, and physiology of development.
Just, however, became frustrated because he could not obtain an appointment at a major American university. He wanted a position that would provide a steady income and allow him to spend more time with his research. Just’s scientific career involved a constant struggle for an opportunity for research, “the breath of his life”. He was condemned by racism to remain attached to Howard, an institution that could not give full opportunity to ambitions such as the ones Just had.
In 1929, Just travelled to Naples, Italy, where he conducted experiments at the prestigious zoological station “Anton Dohrn”. Then, in 1930, he became the first American to be invited to the Kaiser Wilhelm Institute in Berlin-Dahlem, Germany, where several Nobel Prize winners carried out research. Altogether from his first trip in 1929 to his last in 1938, Just made ten or more visits to Europe to pursue research. It was during this time, that Just co-authored on a research paper with a few other scientists, called, “General Cytology,” which Scientists treated him like a celebrity and encouraged him to extend his theory on the ectoplasm to other species. J
ust enjoyed working in Europe because he did not face as much discrimination there in comparison to the U.S. and when he did encounter racism, it invariably came from Americans. Beginning in 1933, when the Nazis began to take the control of the country, Just ceased his work in Germany. He later moved his European-based studies to Paris and to the marine laboratory at the French fishing village of Roscoff, located on the English channel.
Just authored two books, Basic Methods for Experiments on Eggs of Marine Animals (1939) and The Biology of the Cell Surface (1939), and he also published at least seventy papers in the areas of cytology, fertilization and early embryonic development. He discovered what is known as the fast block to polyspermy; he further elucidated the slow block, which had been discovered by Fol in the 1870s; and he showed that the adhesive properties of the cells of the early embryo are surface phenomena exquisitely dependent on developmental stage.
He believed that the conditions used for experiments in the laboratory should closely match those in nature; in this sense, he can be considered to have been an early ecological developmental biologist. His work on experimental parthenogenesis informed Johannes Holtfreter’s concept of “autoinduction” which, in turn, has broadly influenced modern evolutionary and developmental biology. His investigation of the movement of water into and out of living egg cells (all the while maintaining their full developmental potential) gave insights into internal cellular structure that is now being more fully elucidated using powerful biophysical tools and computational methods.
These experiments anticipated the non-invasive imaging of live cells that is being developed today. Although Just’s experimental work showed an important role for the cell surface and the layer below it, the “ectoplasm,” in development, it was largely and unfortunately ignored. This was true even with respect to scientists who emphasized the cell surface in their work. It was especially true of the Americans; with the Europeans, he fared somewhat better.
Sadly when the Nazis invaded France at the start of WWII, Ernest Just was interned and put into a prisoner of war camp. His second wife, Hedwig Schnetzler, negotiated his release and he returned to his home country of America. By that time he was already ill and he died on 27th October 1941. He was born on 14th August 1883.
“Through his excellence on the cricket field, Sir Everton helped in a fundamental way to change Barbados for the better, forever, by proving that true excellence cannot be constrained by social barriers.”
– PM of Barbados Owen Arthur
Sir Everton Weekes one of the ‘Three W’s’ and one of the world’s greatest cricketers, he was born in a wooden shack in Pickwick Gap, St. Michael, Barbados on 26th February 1925.
Leaving school at 14 with no job, Weekes honed his cricketing and football skills on the streets of Barbados, before joining the army in 1943. Joining the army allowed him to play cricket at a higher level under the Barbados Cricket Association. It’s never been clear if it was his deliberate plan to further his sporting ambitions.
Weekes had a classic batting style, possessed a variety of shots on both sides of the wicket, and is considered one of the hardest hitters in cricket history. Sir Everton had a phenomenal international career scoring 4,235 runs in 46 tests, averaging 58.01 and scoring 14 centuries and 19 half centuries, he was the fastest in world to reach 1000 Test runs (shares the record with Herbert Sutcliffe) by achieving the feat in the 12th innings of his career, but more of this later.
His county cricket in England was spent at Bacup Cricket Club, Lancashire between 1948 and 1959. In the Lancashire leagues he was described as a devastating batsman scoring 25 centuries and passing 1,000 runs in each season. In the 1951 season he scored 1,518 for Bacup Cricket Club which remains a record to this day. When he first arrived in Bacup.
Weekes was greatly affected by the cold and took to wearing an army great coat everywhere, to the extent it became part of his League image. His homesickness for Barbados was tempered by his landlady’s potato pies and the presence of Frank Worrell and Clyde Walcott, they met up at Sir Everton’s home regularly to play jazz piano and sing. So revered was Sir Everton Weekes in Bacup, that the town council have proposed building a lasting memorial in his honour.
The THREE W’s
The term ‘Three W’s’ was coined by a British journalist during the 1950 West Indies tour of England. In that tour Weekes was in excellent form, scoring 338 runs at 56.33 and playing a significant part in the West Indies 3–1 victory in the Test series, as well as 2310 first-class runs at 79.65 (including five double centuries, a record for a West Indian tour of England). In 1951 Weekes was named ‘Wisden Cricketer of the Year’ for his outstanding performances.
The ‘Three W’s’, were of course himself, Sir Clyde Walcott and Sir Frank Worrell, all noted as the outstanding batsmen from Barbados of their time, who all made their Test debut in 1948 against England. The three were all born within seventeen months of each other and within a mile of Kensington Oval in Barbados and Walcott believed that the same midwife delivered each of them. Weekes first met Walcott in 1941, aged 16, when they were team mates in a trial match. They shared a room together when on tour and, along with Worrell, would go dancing together on Saturday nights after playing cricket.
His career showed a steely determination of pure cricketing genius and yet he was a humble gentle man, the statistics however are mind blowing.
He continued to play first-class cricket until 1964, when he surpassed 12,000 first-class runs in his final innings. He died on 1st July 2020. Barbados Today and the Guardian amongst other publications had heart warming obituaries for this cricket legend.
February 1st 1960 was D-day and the target was F. W. Woolworths Five & Dime Store in Greensboro, North Carolina.
Before I move on let’s look at the courage and enormity of what happened here, their lives were at risk, this was the spark that ignited the Civil Rights Movement in the Southern states, this sit-in was a contributing factor in the formation of the Student Nonviolent Coordinating Committee (SNCC), it was the inspiration behind the subsequent sit-in movement, in which 70,000 people participated, it led to stores including F. W. Woolworth abandoning segregation policies.
On that momentous day when they were refused service and told that Woolworths do not serve Negroes at their lunch counter. The four men had anticipated problems and bought small items and retained the receipt as proof of purchase, and proof they were paying customers of Woolworths, before sitting down at the store’s lunch counter.
While Blacks were allowed to patronise the dining area, they were relegated to a standing snack bar, as the lunch counter was designated for ‘Whites only’. The Greensboro Four politely requested service at the counter, remaining seated while their orders were refused by the waiting staff.
The lunch counter manager contacted the police, but Johns had already alerted the local media. The police arrived, only to declare that they could do nothing because the four men were paying customers of the store and had not taken any provocative actions.
The last person to approach the Greensboro Four on that first day was an elderly White lady, who rose from her seat in the counter area and walked over toward McCain. She sat down next to him and looked at the four students and told them she was disappointed in them. McCain, in his Air Force ROTC uniform was ready to defend his actions, but remained calm and asked the woman:
“Ma’am, why are you disappointed in us for asking to be served like everyone else?” McCain recalled the woman looking at them, putting her hand on Joe McNeil’s shoulder and saying, “I’m disappointed it took you so long to do this”.
The four sat there until the store closed, however the next day they returned with 20 more Black students and the media interest began. By days 3 and 4 more students joined them including White students and females, over 300 participated causing the sit-in to spill out onto the streets. Lunch staff continued to refuse service, and North Carolina’s official chaplain of the Ku Klux Klan, George Dorsett, as well as other members of the Klan, were present.
The F.W. Woolworth national headquarters said that the company would ‘abide by local custom’ and maintain its segregation policy.
On February 5th things turned much darker when the Klan organised 50 White men to occupy positions in the store in opposition to the students creating a tense situation. In spite of this by 3pm there were 300 protesters. The protesters maintained their dignified non-violent stance under extreme harassment, physical violence and having the dining counter condiments (salt, sauces etc.) poured over their heads. Meeting between students, college officials, and store representatives took place, but failed to find a resolution. In truth by now there could only be one resolution, de-segregation.
The protests now were getting world attention – February 6th was viewed with anticipation, fear and trepidation, with good reason, but none the less over 1,000 protesters turned up for the Sit-in.
A bomb threat was sent to the store for 1.30pm that day and Woolworths had to be evacuated and closed. However it was too late to stop the sit-in protest which was now spreading across many American southern cities and states including Kentucky, Richmond, Lexington, and Nashville. In March President Dwight D. Eisenhower expressed his concern for those who were fighting for their human and civil rights, saying that he was:
“deeply sympathetic with the efforts of any group to enjoy the rights of equality that they are guaranteed by the Constitution”.
The action of the Greensboro Four on February 1 was an incredible act of courage, but it wasn’t unique. There had been previous sit-ins. In 1957, for instance, seven African Americans staged one at the segregated Royal Ice Cream Parlor in Durham, North Carolina. What made Greensboro different was how it grew from a courageous moment to a revolutionary movement. The combination of organic and planned ingredients came together to create an unprecedented youth activism that changed the direction of the Civil Rights Movement and the nation itself. The results of this complex and artful recipe are difficult to faithfully replicate. Besides the initial, somewhat spontaneous February 1 act of courage, more components were needed.
The essential ingredient in this protest was publicity.
Jon Daniel was an award-winning creative director whose range of work – from ad campaigns, to magazine columns and exhibition curation – led to accolades and notoriety across London and further afield.
Born in London in 1966 and a long-term resident of Milkwood Road in Herne Hill, his mother, Sheila, came from Grenada and worked as a district nurse and his father, Horace, came from Barbados and worked for London Transport before moving into the civil service. Daniel was a hugely talented artist and a passionate supporter of local community groups.
He channelled what he called his:
“over-active mind and imagination,”
into a graphic design course, working for 25 years as an art director for many of London’s leading ad agencies.
The award-winning designer and graphic artist of Afro Supa Hero, was one of the most prominent black creatives of his generation and a pivotal player in capturing the essence of the Black British struggle and empowerment through his art.
He passed away far too soon at just 51 years of age of Pneumonia in 2017.
Jon Daniel obituary
By his friendStuart Husbandswritten for The Guardian Newspaper 31st Pctober 2017
My friend Jon Daniel, who has died of pneumonia aged 51, was an award-winning creative director whose range of work – from ad campaigns, to efforts to raise black consciousness, to magazine columns, to exhibition curation – was as various as the man himself. Whether he was spearheading an attempt to get the Royal Mail to take up his designs for a set of stamps highlighting the black contribution to Britain, or gleefully detailing his latest celebrity sighting at Herne Hill station, he did it with a winning and infectious enthusiasm.
Jon was born in London, the child of West Indian immigrants. His mother, Sheila, came from Grenada and worked as a district nurse; his father, Horace, came from Barbados and worked for London Transport before moving into the civil service. The family – he had two brothers, Damian and Tony – lived in East Sheen, and while Jon’s afro was an object of intense fascination at school, he didn’t recall any overt racism:
“just a sense of difference”.
He steeped himself in the West Indian culture of his extended family and the African-American move from the civil rights era into 70s funk. His older brother, Tony, introduced him to bands such as the Ohio Players, Brass Construction, Cameo and Slave; he devoured the biographies of Malcolm X and Martin Luther King. He channelled what he called his “over-active mind and imagination” into a graphic design course, working for 25 years as an art director for many of London’s leading ad agencies.
In 1993 he married Jane Cullen, a fellow art director; his assiduous and prolonged wooing of her remains legendary among the couple’s many friends. Jon was a devoted husband and father to their two sons, Noah and Gil.
Latterly, Jon followed one of the key precepts of his idol (and friend) George Clinton – “If you ain’t gonna get it on, take your dead ass home” – in being an advocate for the past achievements and current aspirations of the Black diaspora and their second- and third-generation descendants. He worked on campaigns and branding for Black History Month and Operation Black Vote; he collaborated with Ms Dynamite, Soul II Soul and the Black Cultural Archives; and he championed previous creative trailblazers in 4 Corners, his regular column for Design Week.
His show Post-Colonial: Stamps from the African Diaspora, was hosted at the London store of Stanley Gibbons, the global stamp emporium, in 2011. Then there was Afro Supa Hero, Jon’s exhibition based on his personal collection of black action figures and comic books. It had started with the acquisition of a Malcolm X doll in the mid-90s; by 2013, when the collection went on show at the V&A Museum of Childhood in Bethnal Green, it encompassed everything from Harriet Tubman and Meteor Man action figures to Black Goliath comics, Harlem Globetrotters board games and Jon’s Afro Supa Star-branded mugs.
Whether watching the crowds delighting in the Afro Supa Hero exhibits on the show’s opening night, or attending one of his regular, jam-packed birthday parties at the White Lion in Streatham, or wolfing down rice and peas alongside dub steppers and design luminaries, Jon’s own superpower was immediately apparent. It lay in his ability to bring people together, no matter their background or station, and infuse them with his unquenchable generosity of spirit.
More for Jon Daniels
REPEATING ISLANDS: News and commentary on Caribbean culture, literature, and the arts – Rembering Jon Daniel: 1966-2017
Operation Black Vote (OBV) articles. including Jon Daniel, Black politics and me: Jon and his then creative partner Trevor Robinson in advertising said they’d provide £250k marketing nous for OBV for free and sponsorship of £25k. They walked into the OBV office and said, “This is our gig. This is a Black project and right now it will be best executed by Black creatives who can feel what you feel and help translate that into a dynamic message and the very best results.”
Gary Krenz in LSA Magazine cited Randall and Imes for publishing in 1919 a single work that ushered in a new field of research, “the study of molecular structure through the use of high-resolution infrared spectroscopy. Their work revealed for the first time the detailed spectra of simple-molecule gases, leading to important verification of the emerging quantum theory and providing, for the first time, an accurate measurement of the distances between atoms in a molecule.”
Physicist Elmer S. Imes, an internationally recognized early authority on infrared spectroscopy, was born in Memphis, Tennessee, on October 12, 1883, the son of Benjamin Imes, a minister, and the former Elizabeth Wallace, an ex-slave. Both of his parents were alumni of Oberlin College in Ohio and worked as missionaries in the South. Imes attended high school in Alabama and in 1903 graduated with a bachelor’s degree in general science from historically black Fisk University in Nashville, Tennessee. He remained in academe, teaching physics and mathematics at the Georgia Normal and Agricultural Institute in Albany, Georgia, (present-day Albany State University) and the Emerson Institute in Mobile, Alabama, both historically black schools of higher learning in the racially segregated South.
In 1910, Imes returned to Fisk to teach and earned his master’s degree there in science in 1915. With a strong inclination for research, he enrolled at the University of Michigan and, with the assistance of a University Fellowship, earned his doctorate in physics in 1918, only the second African American to do so since Edward Bouchet, at Yale University in 1876. His dissertation, titled “Measurements on the Near-Infrared Absorption of Some Diatomic Gases,” was published in 1919 in the renowned Astrophysical Journal. That same year, Imes and his former academic mentor at Michigan, Harrison A. Randall, shook the scientific world with a co-authored paper in Physical Review, titled “The Fine Structure of the Near Infra-Red Absorption Bands of HCI, HBr, and HF.” It elaborated on the journal article by offering the first confirmation of the distances between atoms in molecules, widening the breath of appropriate applications of quantum theory, and presented evidence of two chlorine isotopes—finding that would be repeated cited by scientists and soon contained in textbooks.
In 1919, Imes married the novelist Nella Larsen, one of the luminaries of the Harlem Renaissance, which prompted a change in his residence from Jersey City, New Jersey to New York City, New York to rub shoulders with Harlem’s intellectual elite, among them W.E.B. DuBois and Langston Hughes. Despite his scientific achievements, Imes found it difficult to find employment in white-dominated schools and businesses, but he eventually landed researcher positions in the New Jersey-New York region at the Federal Engineers Development Corporation, the Burrows Magnetic Equipment Corporation, Everett Signal Supplies, and served as a consultant to Autoxygen, Incorporated. During his eight years of work in the corporate world between 1922 and 1930, Imes filed numerous patents, four of which were for instruments that gauged magnetic and electric properties. Imes may have been better known and respected among European physicists who were unaware of his race than by white American physicists.
Imes returned to Fisk in 1930, this time to mentor black students who would succeed in obtaining graduate degrees at major universities and to become chairman of Fisk’s Department of Physics. Divorced from Nella Larsen in 1933 and later plagued by professional, financial, and health problems, he died from throat cancer in Memorial Hospital in New York City on September 11, 1941.
Read more about Elmer Samuel Imes
National Society of Black Physicists: Specifically, his (Elmer Imes’] work was one of the earliest applications of high resolution infrared spectroscopy and provided the first detailed spectra of molecules giving way to the study molecular structure through infrared spectroscopy. This work led to him being the first African-American to be published in a physics journal in the United States.
Physics Today – The life and work of Elmer Samuel Imes by Ronald E. Mickens 2018: Imes’s measurements provided accurate experimental proof that rotational energy was quantized, and he was quickly recognized as a major figure among the small group of researchers focused on spectroscopy. In 1974 Earle Plyler, a US physicist and pioneer in the fields of IR spectroscopy and molecular spectroscopy, wrote that:
“up until the work of Imes, there was doubt about the universal applicability of the quantum theory to radiation in all parts of the electromagnetic spectrum. Some held it was useful only for atomic spectra (electronic spectra); some held that it was applicable for all electromagnetic radiation…. Imes’s work formed a turning point in the scientific thinking, making it clear that quantum theory was not just a novelty, useful in limited fields of physics, but of widespread and general application.”
Letter From a Former Student of Bouchet: Appendix C Elmer Samuel Imes Scientist, Inventor, Teacher, Scholar: Elmer Samuel Imes was the first black scientist to make a significant contribution to physics. His work had a major impact on the understanding and interpretation of quantum phenomena during the period from 1919 to 1925. He also made contributions to physics instrumentation through his construction and improvements to infrared spectrometers. During his lifetime, his research was extensively quoted and referenced in leading scientific journals in the United States and Europe by physicists and chemists studying the properties and molecular spectra of diatomic molecules.
Elmer Imes – Wikipedia: Imes’ work provided an early verification of Quantum Theory. It became known in Europe as well as in the United States.
Stevie Wonder has long supported the civil rights movement in the US and the world with his music. In addition to being an award winning musical innovator, he is a humanitarian who has used his music to support a number of social causes and political beliefs. Because of his disabilities he is blind Stevie was limited to in what he could do, but because of his enormous talent and popularity he could not be ignored.
He is probably best remembered for his campaign to make Martin Luther King, Jr.’s birthday a national holiday, Wonder released Happy Birthday (1980), a song celebrating Dr. King. The song became a hit and a rallying cry for the King Holiday.
On Monday, January 20, 1986, in cities and towns across the country people celebrated the first official Martin Luther King Day, the only federal holiday commemorating an African-American. Wonder’s song echoed as the anthem of the holiday.
But Stevie Wonder Civil Rights go much deeper than this single event.
The year prior to that in 1985 Stevie had dedicated his song ‘I Just Called To Say I Love You’ to Nelson Mandela. Wonder also joined a number of musicians and entertainers, including Harry Belafonte, Quincy Jones, Lionel Ritchie, and Michael Jackson to produce the song We are the World (1985) to raise funds for humanitarian aid in Africa. He teamed with Gladys Knight and Dionne Warwick, and Elton John (1988) to produce That’s What Friends Are For to support AIDS charities.
Blind from infancy, Steveland Hardaway Judkins moved with his family to Detroit Michigan when he was four years old. When his mother later remarried, he changed his name to Steveland Morris. Young Steveland sang in his church’s choir, and by the time he was nine years old, he had mastered piano, drums and harmonica. Singer Ray Charles became his role model. The child prodigy was discovered in 1961 while performing for friends.
Music mogul Berry Gordy immediately signed him on the Motown label and changed his name to “Little Stevie Wonder.” His first album, A Tribute to Uncle Ray (1962) was released when Wonder was just twelve years old.
By the early 1970s, thought provoking Stevie Wonder albums like Talking Book (1972) Innervisions (1973) and Songs in the Key of Life (1976) propelled the musical genius to the pinnacle of his career, a track from this Pastime Paradise is the basis of Coolio’s ‘Gangsta Paradise with all the strong political despair it embodied and became an anthem for, and was featured in the film Dangerous Minds, starring Michel Pfeiffer.
His 1985 duet with former Beatle Paul McCarthy, “Ebony and Ivory,” became another social statement calling for racial harmony. Stevie Wonder was inducted into the Rock ‘n’ Roll Hall of Fame in 1989. By 2006, Wonder had been awarded twenty-two Grammy awards and eighteen American Music awards.
In 2016, Stevie Wonder sang at the opening of the National Museum of African American History and Culture for then-President Barack Obama, the first black US president, and his predecessor George W. Bush, as well as thousands of Americans in Washington D.C. In 2014, Wonder was given the Presidential Medal of Freedom, the highest civilian award in the United States.
That same year Steve Wonder gave a moving speech to the United Nations. In it, he recalled Nelson Mandela’s struggle for democracy, human rights and social justice. Mandela, the former South African president, was “one of the most fantastic, caring and loving people who ever moved on Mother Earth,” Wonder enthused.
Wonder expressed how much Mandela meant to him by naming one of his sons “Mandla” (which means “strength”). In 1985, when the South African activist and politician was still in prison, Wonder received an Oscar for the song “I Just Called To say I Love You,” which as we mentioned above he dedicated to Mandela. The apartheid regime reacted by banning Wonder’s music, he continued to campaign for Mandela’s release.
In 2017, Wonder sang with his son Kwarme Morris in New York City’s Central Park. Like all bands performing at the Global Citizen Festival, they had an agenda: to remind political decision-makers in the USA and around the world of their responsibility to end global poverty, tackle climate change and eliminate inequality by 2030.
Stevie Wonder has not remained silent during the current world crisis. Together with Lady Gaga, Billie Eilish and other stars, he took part in One World Together At Home streaming event in April. Organised by Global Citizen, World Health Organization and the United Nations, the goal was to raise funds for the COVID-19 Solidarity Response fund of the WHO.
Verse 1 First man to die For the flag we now hold high [Crispus Attucks] Was a black man The ground were we stand With the flag held in our hand Was first the red man’s Guide of a ship On the first Columbus trip [Pedro Alonzo Nino] Was a brown man The railroads for trains Came on tracking that was laid By the yellow man
Chorus We pledge allegiance All our lives To the magic colors Red, blue and white But we all must be given The liberty that we defend For with justice not for all men History will repeat again It’s time we learned This world was made for all men
Verse 2 Heart surgery Was first done successfully By a black man [Dr Daniel Hale Williams] Friendly man who died But helped the pilgrims to survive [Squanto] Was a red man Farm workers rights Were lifted to new heights [César Chávez] By a brown man Incandescent light Was invented to give sight [Thomas Edison] By the white man
Chorus We pledge allegiance All our lives To the magic colors Red, blue and white But we all must be given The liberty that we defend For with justice not for all men History will repeat again It’s time we learned This world was made for all men
Hear me out
Now I know the birthday of a nation Is a time when a country celebrates But as your hand touches your heart Remember we all played a part in America To help that banner wave
Verse 3 First clock to be made In America was created By a black man [Benjamin Banneker] Scout who used no chart Helped lead Lewis and Clark Was a red woman [Sacagawea] Use of martial arts In our country got its start By a yellow man [Bruce Lee] And the leader with a pen Signed his name to free all men Was a white man [Abraham Lincoln]
Chorus We pledge allegiance All our lives To the magic colors Red, blue and white But we all must be given The liberty that we defend For with justice not for all men History will repeat again It’s time we learned This world was made for all men
Bob Dylan wrote two classic songs about these two deaths that became iconic links to the Civil Rights Movement, the direct brutality of the lyrics astonished the activists and became an influential style in the art of protest song writing.
More about the songs later (below), let me first discuss the deaths of Evers and Carroll at the hands of White Supremacists.
Medgar Wiley Evers
Was a brilliant and effective Civil Rights activist and distinguished himself fighting in WWII. The fury over Evers’ assissination fuelled the March on Washington in August 1963, and his death is widely considered a pivotal event in the civil rights movement.
Born in 1925, Medgar Evers had followed (his brother) Charles into the Army during WWII. He was assigned to a segregated field battalion in England and France. Although some black soldiers refused to come back from France where they were treated as equals, some vowed to return fighting. As did Medgar he said to his brother after a racial incident:
“When we get out of the Army, we’re going to straighten this thing out”
In 1946, after three years of distinguished military service, Evers received an honourable discharge, finished high school, and enrolled in Alcorn College in Mississippi, where he met his wife Myrlie Beasley.
Alarmed at the level of poverty and destitution he found among the black populace of rural Mississippi, Evers decided to do something about it and joined theNAACP.
In 1954, a few months before the Supreme Court’s Brown v. Board of Education decision, which ruled racial segregation in public schools unconstitutional, Evers volunteered to challenge segregation in higher education and applied to the University of Mississippi School of Law. He was rejected on a technicality, but his willingness to risk harassment and threats for racial justice caught the eye of national NAACP leadership; he was soon hired as the organisation’s first field secretary in Mississippi.
Evers soon began organising local NAACP chapters and coordinating boycotts of gasoline stations that refused to allow African Americans to use their restrooms. Evers’s organisational skills allowed him to bring together isolated groups of disillusioned individuals and meld them into a unified force.
The position catapulted him to what his wife Myrlie later called – No. 1 on the Mississippi ‘to-kill’ list. Evers garnered national attention for organising demonstrations and boycotts and for securing legal assistance for James Meredith, a black man whose 1962 attempt to enroll in the University of Mississippi was met with riots and state resistance. As we have mentioned in previous blogs, his courage gained support from star activists Nina Simone, Lena Horne and spread right to the White House and John F. Kennedy.
In the weeks leading up to his death, Evers found himself the target of a number of threats. His public investigations into the murder of Emmett Till and his vocal support of Clyde Kennard left him vulnerable to attack. On May 28, 1963, a molotov cocktail was thrown into the carport of his home, and five days before his death, he was nearly run down by a car after he emerged from the Jackson NAACP office.
Civil rights demonstrations accelerated in Jackson during the first week of June 1963. A local television station granted Evers time for a short speech, his first in Mississippi, where he outlined the goals of the Jackson movement. Following the speech, threats on Evers’ life increased.
On June 12, 1963, Evers pulled into his driveway after returning from an integration meeting where he had conferred with NAACP lawyers. Emerging from his car and carrying NAACP T-shirts that stated, ‘Jim Crow Must Go’.
The events inspired Bob Dylans song Only A Pawn In The Game, unusually for a protest song, Dylan named the assassin in the lyrics.
Evers was struck in the back with a bullet fired from the rifle of Byron De La Beckwith. He staggered 30 feet before collapsing, dying at the local hospital 50 minutes later, who had at first refused him entry because of his colour. Evers was murdered just hours after President John F. Kennedy’s speech on national television in support of civil rights and just five months before Kennedy suffered the same fate.
Byron De La Beckwith a member of the White Citizen’s Council in Jackson, Mississippi and the Klu Klux Klan was acquitted twice in the 1960’s by two all White male juries. He was eventually convicted in 1994 (31 years later). The 1994 state trial was held before a jury consisting of eight black people and four white people.
New evidence included testimony that he had boasted of the murder at a Klan rally, and that he had boasted of the murder to others during the three decades since the crime had occurred. The physical evidence was essentially the same as that presented during the first two trials. They convicted De La Beckwith of first-degree murder for killing Medgar Evers, he was sentenced to life without the chance of parole.
Was not a Civil Rights Worker and nor was she politically active. She sang in the over-45 person choir and was a member of the congregation’s ‘Flower Guild’, charged with beautifying the church. However, in the eyes of her killer she was a worthless ‘nigger’.
She was murdered by, William Zantzinger (not Zanzinger, as Dylan’s lyrics read) He was a wealthy 24 year-old white tobacco farmer and he murdered her because she could not serve him a drink fast enough. Living in the segregated South, Carroll was a barmaid in a Baltimore hotel. Using his cane, Zantzinger hammered about her head for five minutes.
Carroll was born in 1911, possibly on the 3rd March, she had 11 children (not 10 like Dylan wrote), lived in the lower-middle-class black neighborhood of Cherry Hill in Baltimore, and attended the Gillis Memorial Christian Community Church downtown. As with Medgar Evers Dylan named the murderer in the song, The Lonsome Death Of Hattie Carroll.
He was apparently having the time of his life at the hotel’s ‘Spinster’s Ball’, a drunken country mouse in the big city. His drinking and disorderliness quickly turned cruel, as he yelled racial epithets at the Black waiting staff. What’s more, he held onto his cane instead of leaving it at the coat check:
“I was having lots of fun with it, tapping everybody,” he said.
That tapping became more like hitting when it came to a few of the hotel’s Black Staff, including Hattie Carroll, he said:
“I don’t have to take that kind of shit off a nigger,” before he attacked her with his cane..
After this vicious attack she was unable to move her arm and her speech became slurred, she ran to the hotel kitchen for help. At that point, an ambulance was called. She died eight hours later at the hospital from head injuries.
Zantzinger was at first charged with murder, however he was eventually charged with the lesser crime of manslaughter.
Hoping to avoid a racially charged trial and national publicity, the defense opted to forego a jury, and won a change of venue to Hagerstown, Maryland. Many witnesses testified before a panel of judges, who found Zantzinger guilty of manslaughter, but gave him a sentence of only six months. The sentence was handed down on August 28, 1963, the same day that Martin Luther King, Jr. delivered his, I Have a Dream speech in nearby Washington, D.C. If the sentence had been any longer, Zantzinger would have had to serve it in the state prison, but as it was, he could stay at the local jail. Moreover, he was released on bail to get his tobacco crop in before starting his sentence in September.
He received received 6 months in prison for the crime and a fine of $500.
Lyrics – The Lonesome Death Of Hattie Carroll Bob Dylan
William Zanzinger killed poor Hattie Carroll, With a cane that he twirled around his diamond ring finger At a Baltimore hotel society gath’rin’, And the cops were called in and his weapon took from him As they rode him in custody down to the station, And booked William Zanzinger for first-degree murder.
But you who philosophize, disgrace and criticize all fears, Take the rag away from your face, now ain’t the time for Your tears.
William Zanzinger, who at twenty-four years, Owns a tobacco farm of six hundred acres With rich wealthy parents who provide and protect him, And high office relations in the politics of Maryland, Reacted to his deed with a shrug of his shoulders, And swear words and sneering, and his tongue it was Snarling, In a matter of minutes on bail was out walking.
But you who philosophise, disgrace and criticize all fears, Take the rag away from your face, now ain’t the time for Your tears.
Hattie Carroll was a maid of the kitchen. She was fifty-one years old and gave birth to ten children Who carried the dishes and took out the garbage, And never sat once at the head of the table And didn’t even talk to the people at the table, Who just cleaned up all the food from the table, And emptied the ashtrays on a whole other level, Got killed by a blow, lay slain by a cane That sailed through the air and came down through the room, Doomed and determined to destroy all the gentle. And she never done nothing to William Zanzinger.
But you who philosophize, disgrace and criticize all fears, Take the rag away from your face, now ain’t the time for Your tears.In the courtroom of honor, the judge pounded his gavel, To show that all’s equal and that the courts are on the Level And that the strings in the books ain’t pulled and Persuaded, And that even the nobles get properly handled Once that the cops have chased after and caught ’em, And that the ladder of law has no top and no bottom, Stared at the person who killed for no reason, Who just happened to be feelin’ that way without warnin’. And he spoke through his cloak, most deep and distinguished,
And handed out strongly, for penalty and repentance, William Zanzinger with a six-month sentence.
Oh, but you who philosophize, disgrace and criticize all Fears, Bury the rag deep in your face, for now’s the time for your Tears.
Lyrics – Only A Pawn In Their Game
A bullet from the back of a bush Took Medgar Evers’ blood A finger fired the trigger to his name A handle hid out in the dark A hand set the spark Two eyes took the aim Behind a man’s brain But he can’t be blamed He’s only a pawn in their game
A South politician preaches to the poor white man “You got more than the blacks, don’t complain You’re better than them, you been born with white skin, ” they explain And the Negro’s name Is used, it is plain For the politician’s gain As he rises to fame And the poor white remains On the caboose of the train But it ain’t him to blame He’s only a pawn in their game
The deputy sheriffs, the soldiers, the governors get paid And the marshals and cops get the same But the poor white man’s used in the hands of them all like a tool He’s taught in his school From the start by the rule That the laws are with him To protect his white skin To keep up his hate So he never thinks straight ‘Bout the shape that he’s in But it ain’t him to blame He’s only a pawn in their game
From the poverty shacks,
he looks from the cracks to the tracks And the hoofbeats pound in his brain And he’s taught how to walk in a pack Shoot in the back With his fist in a clinch To hang and to lynch To hide ‘neath the hood To kill with no pain Like a dog on a chain He ain’t got no name But it ain’t him to blame He’s only a pawn in their gameToday,
Medgar Evers was buried from the bullet he caught They lowered him down as a king But when the shadowy sun sets on the one That fired the gun He’ll see by his grave On the stone that remains Carved next to his name His epitaph plain Only a pawn in their game